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“Loose, contained sloppiness” describes The National really well, Jon.

thepretender:

Between the sad violins, and the moody trumpets, and all the pitch black songs about walking around damp, drizzly cities, it’s easy to forget the The National is a capital R Rock band, a band whose members adore the Grateful Dead and the Allman Brothers, a band that’s as equally defined by Very Loud Guitar Music as it is by Matt Berninger’s white collar, (not always) quiet desperation.  

And so sometimes, it takes a guest appearance from Trey Anastasio, and his lead guitar that so unmistakably makes me feel like I’m 14, sitting on a sweaty summer camp school bus listening to Farmhouse, to make me realize that yes, there’s a certain loose, contained sloppiness in a lot of The National’s music, and that no, Anastasio’s guest appearance at The Beacon Theatre on Friday night was not ironic, or offputting, or even bizarre.  It actually sort of made a lot of sense.    

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   sloppiness” describes...National really well, Jon. thepretender:

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